Saturday, September 20, 2014

August Blind Spot: L'enfant

Dardennes Brothers are one of the directors who have garnered quite a reputation for themselves over the years. I became more and more aware of them as I got more into foreign cinema and their films became part of my ever growing watch list. I was under the impression that I have never seen any of their films and hence wanted to include one on this year's Blind spot list to give myself a start. I chose L'enfant(2005) because, with one of their two Palme d'Or, it seems to be their most revered film. I have been meaning to check out more Palme d'Or winners as well. Two birds in one stone, I thought. As it turns out, they directed The Kid with a Bike(2011) which I saw last year. So this wasn't really my first Dardennes film but regardless it was a worthy choice.

Like most other directors, most revered directors anyway, Dardenne brothers have their own style and their own formula and, from what I know, most of their films follow that track. Based on this, my first thought was what makes them so special if they are essentially making the same film again and again? What I can say right now is it’s their ability to tell what looks like same story from outside from different perspective and their ability to make us viewers relate with characters. And I felt it even more in reference to the character of Bruno in this film because saying that he is a despicable character is putting it very mildly. He is just about worst father that ever existed on the surface of this earth.

First of all, Bruno is an extremely irresponsible and deplorable guy from the start. He doesn’t even have a house and he almost scoffs at a notion of having a regular job. He lives either in a shelter or in his shack by the river. Sonia does have a small apartment rented but Bruno even sublets that to someone else when she is in a hospital for her delivery. As for job, Bruno has a 14 year old assistant who helps him do petty crimes like stealing. If you already hate him, I can't really blame you but there is much more to come yet. I haven't even started. Elephant in the room here is Bruno selling their 9 day old son in black market. I don't think this would count as a spoiler because if you one thing about this movie it would be that but even that isn't all.

L’enfant is almost like a checklist for all their trademark elements. Their films usually feature characters struggling to make their ends meet. Here, with no real prospects, Sonia and Bruno pretty much live on her welfare money and his stealing money. They do not use any score. There was none here but to tell you the truth, they didn’t really need it. They tell their stories so well that I really didn’t notice any lack of score until it was brought to my attention half way through. Handheld cameras are prevalent. Leading characters are seen in every scene. You do get either Sonia or Bruno is ‘every’ scene. And I think Bruno, played by Jeremie Renier – one of Dardennes’ regulars, is in every scene except first couple of them where Sonia is looking for him. And, in words of IMDb, they usually end with one character giving a helping hand to another - that's Sonia finally going to meet Bruno in jail. All check.

Bruno doesn't have many redeeming qualities. After he has sold their son, he shamelessly sells his pram as well and there is not even a hint of distress seen in his actions. [SPOILER ALERT] Sonia faints after hearing this news and involves police in this. After seeing that, he somehow manages to get that child back but not because he felt bad for it. It's because Sonia might make authorities pick him up.[SPOILER END] I really wouldn’t mind if someone skinned him and left him hanging to dry. About the only responsible thing he does throughout this film in taking blame for stealing a purse in the end. Otherwise he is an extremely horrible and irresponsible person throughout. 

You usually feel for someone you are rooting for in their bad times. Making you feel for someone you almost hate and want to see punished as hard as humanely possible needs something special and, by the end, L’enfant had done that; Dardenne brothers did that with just one image. As much as I hated Bruno, and as I said earlier I really despised him, note on which they chose to end this film still gave me hope that there might still be some future for Bruno and Sonia together. There still might be some hope for Bruno to account for something. I think it really needed it and they could not have said it better in thousand words.

Since it revolves around Bruno and Sonia and has at least one of them on screen all the time, naturally Renier and Deborah Francois hold key for its success. Personally, I liked Francois more because her character goes through bigger emotional arc with initial elation and hope of new life with arrival of their child to bitter disappointment to eventual makeup after Bruno comes around. However, there would be no denying that Renier is more important to success of this film. It is designed in such a way that you are sympathetic towards Sonia and despise Bruno and I would think it would be difficult to make viewers hate you than to make them sympathize with you.

But real hero of L'enfant is neither Bruno nor Sonia. It's the script written by Dardenne brothers themselves. It is so well written, so well paced that it almost always succeeds in getting exact response it was aiming for from us viewers. I obviously do not have in depth knowledge of their style. So I am going to go to someone I know bit more and someone who I think has one think in common with them - Christopher Nolan. I could be completely wrong about it but I think, like Nolan, their films almost always have some great performances. But what it boils down to is their direction and writing that makes them so great. In hands of lesser directors, these films and even performances couldn't be as good as they are. That makes me real excited to tackle rest of their films!

Monday, September 1, 2014

Wrapping it up: August

Another month, another wrap-up post full of this month's viewings. For the first ever, neither have I written a Blind Spot entry for this month yet nor did I publish this post on last day of respective month after keeping that tradition for more than two and half years. But more on that later. Let me get to films I saw last month first...

August



L'enfant(2005): This month's Blind Spot. I was under impression that this would be my first Dardennes film. It was one of the reasons I added it to this year's list. I realised it later that I have seen The Kid with a Bike(2011) which is a Dardennes' film as well. First thing I realised after watching this is this film can be a check list for Dardennes. Hand held camera - check, lower class characters struggling to make ends meet - check, father-son relationship - check, no score - check. Made me even more excited for Two Days, One Night(2014).



The Immigrant(2014): It feels like we have been waiting for this film for like forever. In most cases, it would mean this film is doomed in one way or the other. You can say that for this film as well since it did not get much of a theater run and went to VOD pretty soon. I don't know numbers but distribution wise I don't think this is a good sign. At least, it wasn't doomed quality wise. It has a stellar cast and they have deliver stellar performances. You can say it's too serious but given the subject matter, I don't see any other way.

Ida(2014): For past few months, I haven't watched many foreign films. For some reason, I don't feel like watching them anymore. I am already in 2014 mode in the middle of the year, which I usually get into somewhere around end. I seriously hope this is just a passing phase because turning my back on so many great films would be an absolute shame. I am hoping films like this will help me get back on that horse. And better the quality of these films, more they help. Ida was a great help. Best thing about it was the quietness with which it presents even the most dramatic moments of film.

Un Coeur en Hiver(1992): Quick show of hands. How many people here know any such film exists. I don't care if you haven't seen it; raise your hand even if you know this film exists. If not for Josh, even I wouldn't. But it is one of those lesser known gems that I am so happy to have seen it. There are so many great films this one reminded me of but most of all - In the Mood for Love(2000) because of suppressed sexuality of leads, unforgettable music in the film and exquisite looking Emmanuelle Beart.


Dead Poets Society(1989): After the shitty news we all got this month, this was mandatory! Robin Williams was probably 1st Hollywood star I knew by name. Jumanji(1995) was one of my childhood favourites and I used to watch it over and over. This was one of his legendary roles I had not seen and I had to correct this. To tell you the truth, there is no reason why this film should work? It's sappy to the core. But it does! Perfectly. And given that everyone loves it, it is not just an emotional response to recent tragedy.

Edge of Tomorrow(2014): Now this is my kind of blockbuster! Lot of people loved a lot of different blockbusters released this summer. I was cold on most of them but this was totally my type of film. This was Groundhog Day(1993) with human existence at stake and I think they pulled it off very nicely. But I hate the fact that I need a film to remind me that Emily Blunt is a great, versatile actress. I really hope with Into the Woods(2014) later this year, she gets recognition she has been deserving off for years.



Mildred Pierce(1945): I can't be sure but I don't think I have seen a movie in which I've hated almost every single character like I did in this one. Don't get me wrong - I completely understand that's exactly what director was going for and I like it as a film, especially Joan Crawford, but first thing I will remember about this film in future will be I hated everyone in this film, not that I liked Crawford's performance. To be fair, I didn't actually hate Mildred but she definitely frustrated me.

Queen(2014)(Hindi): Bollywood is going through a female empowerment phase this year. I mean, there are many female centric films released this year and they are even doing quite well at box office. Queen released early this year was probably the first of this year's lot. Kangana Ranaut, lead of this film who is really good in it, is going through a reincarnation of her career and this role has helped her a lot. I liked the concept and most of its execution. If not for Amsterdam leg, which I thought dragged a lot and was very cliché; I would rate it even higher.

X-Men: Days of Future Past(2014): So I spend whole summer watching films people praise and rolling my eyes over how did they like this? And then I see two blockbusters in a month I like. I still won't call it a great film or anything but it delivered on everything I would expect from summer blockbuster. It is possible that since I have seen almost all X-Men movies before, I was into it but I didn't have any major problem with it. Plus, it has a great cast of new and old which certainly helps elevate it a notch up.

Don't Look Now(1973): This film bleeped on my radar since Talaash(2012). I would have called it one of the best horror films, since even though it did not genuinely scare me, it did create create a great environment and constantly kept me at the edge of my seat wondering what is going to happen next, if only I understood that ending. I am still not sure what really happen there - it just dropped suddenly, out of no where. But Julie Christie - I have only seen 4 or 5 of her performances but I love every single one of them. That's really something!







Veronica Mars(2014): I knew this wouldn't be 'One of the best of the year' type films but I quite liked series despite some of its flaws. So this was one of my most anticipated of the year films. I wouldn't say I am very disappointed because my expectations were in check from start but it still could have been better. My main problem was everyone looked rusty including Kristen Bell and Rob Thomas. Case involved was definitely best part about it but there were too many distractions from it which worked in series format but never really paid off here.

Suddenly, Last Summer(1959): I am very surprised that it took so long for me to know there is a movie featuring both Katherine Hepburn and Liz Taylor together. But as soon as I knew about it, I didn't waste any more time getting my hands on it. As much as I was excited to see two of the best actresses together, best thing I can say about this film is I am still trying to wrap my head around it. I literally have no idea what to make of this film, especially of that ending despite really great acting by both Taylor, Hepburn as well as Montgomery Clift.








Captain America: The Winter Soldier(2014): I feel like this movie is a complete fanboy material. I constantly felt like watching a typical high budget South Indian masala movie which needs, sorry, demands unequivocal suspension of any disbelief. Only good thing about it is because of high production value, it makes even the most ridiculous thing look damn good. Call it my chronic disability but I have never been able to enjoy that sort of thing. That is exactly why I can never watch those south Indian films, neither can I get into any Salman Khan movie. This was no better.

Happy Christmas(2014): I watched this film primarily for Anna Kendrick and while she isn't bad in it, my primary takeaway from it would be Joe Swanberg's son. If you have seen this film, you'd know how amazing that kid is. However, reason why I would rate it so low is screenplay. It never went anywhere. I don't feel like any of the characters went through any transformation or we learnt anything different about them that we didn't know in first 5 minutes of it. It just starts and ends without giving us pretty much anything. 

Draft Day(2014): I watch American football. I understand the game but even then I will not say that I understand process of their draft and that fascinates me. So this movie was quite interesting to me; you can even say I was target audience for it. But extremely predictable and over sentimental nature of it made it an opportunity lost. You always, always know where this is going to go and what any character going to do long before anyone in this film actually makes any decision. That makes it a boring watch after a while.

Total Count: 15. 15 First Time Watches and 0 Re-watch .

2014 YTD Count
Total Count: 132. 124 First Time Watches and 8 Re-watches.

So the reason I was only able to watch 15 films this month and couldn't do Blind Spot post and this post in time is new job I started today. Because of that, I spent my last month at old job doing KTs and transferring all other responsibilities. Plus, juggling all pre-joining requirements at this job turned out much more taxing than I thought it would. So, blogging took back step, though I do hope to have my blind spot entry up by this weekend. I have already seen the film.

Now good thing about this job is it will pay me hell lot more than previous one used to and, since I wouldn't be job searching anymore, would allow me to devote my free time to do things that I want to do - like watch more films. :). Bad thing is it will take almost 12 hours of my day straight up. Even worse is the fact that about 2 and half of those will be spent traveling. I need to find productive ways to utilize that time or else I am not going to get anything done! Lets see how this goes.

So, how was your month? Did you see anything interesting? What do you think of the movies I saw? Any favorites?

Sunday, August 3, 2014

Six Degrees of Separation Blogathon


So Chip Lary at Tips from Chip tagged me to participate in the Six Degrees of Separation Blogathon, another great blogathon started by Nostra at My Film Views. Basic aim is I will be given two actors who I have to connect in not more than six steps.

This is a list of those who have tried their hand at this thing before it was passed on to me:
Drew from A Fistful of Films (Charlie Chaplin to Jason Statham)
Sati from Cinematic Corner (Jason Statham to Michael Haneke)
Alex from And So It Begins (Michael Haneke to Stephen Dillane)
Steven from Surrender to the Void (Stephen Dillane to Ingmar Bergman)
Chris from Movies and Songs 365 (Ingmar Bergman to Toshiro Mifune)
Josh from Cinematic Spectacle (Toshiro Mifune to James Stewart)
Shane from Film Actually (James Stewart to Spike Lee)
Tom from At the Back (Spike Lee to Birth of a Nation)
Jay at Life vs. Film (Birth of a Nation to Daniel Bruhl)
Steve at 1001plus (Daniel Bruhl to Vinnie Jones)
And Chip at Tips from Chip (Vinnie Jones to Jean Gambin)

What Chip assigned to me is to connect Jean Gabin to none other than, Amitabh Bachchan. Well, probably not many people would know who that is but he is, in Chip's own words, the biggest ever star in Indian films. And he is absolutely right.

I have been following this blogathon on many other blogs I follow and I have even tried connecting two people before. So I was obviously excited when Chip tagged me. However, I was put into precarious position because of the connection given to me. The thing is, I had no idea who Jean Gabin is until Chip tagged me. Call me stupid but even after I looked him up on IMDb, only film I could recognize in his filmography was La Grande Illusion(1937) which I have never seen. That puts me in a disadvantageous position.

I also would have loved to follow rules Chip set forth like choosing films I have seen or choosing film where two actors involved at least share screen once. But since I have not seen any Gabin film, at least my first connection has to be a dart in blind. So I decided not to be too hard on myself and call it a link as long as two actors involved have a credit on IMDb. This is how I arrived from Gabin to Bachchan - 

1. Jean Gabin worked with Paul Mercey in Archimede, le clochard(1959)
Now this connection is a complete guess. I do not know either of the actors involved, nor do I know anything about the film and it was a complete happenstance that I got this link. But as I said due to my lack of knowledge about classic French actors, I have to do with it.

2. Paul Mercey worked with Eli Wallach in The Brain(1969)
Now this link was a real breakthrough for me and I was lucky to get this as well. But once I got Wallach, I got next connections in a matter of seconds.

3. Eli Wallach worked with Kate Winslet in The Holiday(2006)
Eli Wallach(May he rest in peace!) is best known for The Good, the Bad and the Ugly(1966) and rightly so. But first time I remember watching him in was in this one and I still associate him with it first than Good, Bad, Ugly.

4. Kate Winslet worked with Leonardo DiCaprio in Revolutionary Road(2008) and Titanic(1997)
duh! Just look at them.

5. Leonardo DiCaprio worked with Amitabh Bachchan in The Great Gtasby(2013)
Now you will remember him, right? Yup, Wolfsheim. Gatsby's friend that supposedly rigged 1919 World series. That's him!

And I did it! I feel so accomplished, even though I had to get help from several sources. Now, who should I pass it next to? Ummm, why not go Down Under? I will pass it to Sam McCosh at An Online Universe. And since we are going there, I will task her to connect Mr. Bachchan with one of my personal favourite Australian actresses - beautiful and funny, Rose Byrne. Have fun, Sam!
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